11.7.09

Desire

Western philosophers


In Passions of the Soul Descartes writes of the passion of desire as an agitation of the soul that projects desire, for what it represents as agreeable, into the future. Desire in Kant can represent things that are absent and not only objects at hand. Desire is also the preservation of objects already present, as well as the desire that certain effects not appear, that what affects one adversely be curtailed and prevented in the future. Moral and temporal values attach to desire in that objects which enhance one's future are considered more desirable than those that do not, and it introduces the possibility, or even necessity, of postponing desire in anticipation of some future event, anticipating Freud's text Beyond The Pleasure Principle. See also, the pleasure principle in psychology.
In A Treatise on Human Nature Hume suggests that reason is subject to passion. Motion is put into effect by desire, passions, and inclinations. It is desire, along with belief, that motivates action. Kant establishes a relation between the beautiful and pleasure in Critique of Judgment. He says "I can say of every representation that it is at least possible (as a cognition) it should be bound up with a pleasure. Of representation that I call pleasant I say that it actually excites pleasure in me. But the beautiful we think as having a necessary reference to satisfaction." Desire is found in the representation of the object.
Hegel begins his exposition of desire in Phenomenology of Spirit with the assertion that "self-consciousness is desire." It is in the restless movement of the negative that desire removes the antithesis between itself and its object, "...and the object of immediate desire is a living thing...", and object that forever remains an independent existence, something other. Hegel's inflection of desire via stoicism becomes important in understanding desire as it appears in de Sade. Stoicism in this view has a negative attitude towards "...otherness, to desire, and work."
Reading Blanchot in this regard, in his essay Sade's Reason, the libertine is one, of a type that sometimes intersects with a Sadean man, who finds in stoicism, solitude, and apathy the proper conditions. Blanchot writes, "...the libertine is thoughtful, self-contained, incapable of being moved by just anything." Apathy in de Sade is opposition not to desire but to its spontaneity. Blanchot writes that in Sade, "for passion to become energy, it is necessary that it be constricted, that it be mediated by passing through a necessary moment of insensibility, then it will be the greatest passion possible." Here is stoicism, as a form of discipline, through which the passions pass. Blanchot says, "Apathy is the spirit of negation, applied to the man who has chosen to be sovereign." Dispersed, uncontrolled passion does not augment one's creative force but diminishes it.

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feel its sexy.

SEXY????

Have you ever thought about why some people are considered sexy, while others, possibly of similar physical attributes, are not? They say a man is attracted to a women because of her appearance and falls in love with her as a result. Have you ever stopped to think what is sexy and what is not? It goes beyond pretty and ugly, it might even be something we cannot perceive, such as an attitude, but if we could put it in pictures, this is what it might look like.


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